Albert

Iconography as a Humanistic Discipline (Iconography at the Crossroads)

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dc.contributor.author Lavin, Irving
dc.date.accessioned 2019-05-01T15:24:08Z
dc.date.available 2019-05-01T15:24:08Z
dc.identifier.citation Lavin, Irving, “Iconography as a Humanistic Discipline (Iconography at the Crossroads)," in Brendan Cassidy, ed., Iconography at the Crossroads. Papers from the Colloquium Sponsored by the Index of Christian Art, Princeton University, 23-24 March, 1990, Princeton, 1992, 33-42.
dc.identifier.uri https://hdl.handle.net/20.500.12111/6659
dc.description Lavin, Irving, “Iconography as a Humanistic Discipline (Iconography at the Crossroads)," in Brendan Cassidy, ed., Iconography at the Crossroads. Papers from the Colloquium Sponsored by the Index of Christian Art, Princeton University, 23-24 March, 1990, Princeton, 1992, 33-42. German translation in Andreas Beyer, ed., Die Lesbarkeit der Kunst. Zur Geistes-Gegenwart der Ikonologie, Berlin, 1992, 10-22. Italian translation in Lavin, L’arte della storia dell’arte, Milan, 2008, 156-67.
dc.subject Iconography
dc.subject humanistic discipline
dc.subject Erwin Panofsky
dc.subject Aby Warburg
dc.subject visual arts
dc.title Iconography as a Humanistic Discipline (Iconography at the Crossroads)
dc.title.alternative German translation in Andreas Beyer, ed., Die Lesbarkeit der Kunst. Zur Geistes-Gegenwart der Ikonologie, Berlin, 1992, 10-22.
dc.title.alternative Italian translation in Lavin, L’arte della storia dell’arte, Milan, 2008, 156-67.
dc.type Article


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