dc.contributor.author |
Lavin, Irving
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dc.date.accessioned |
2019-05-01T15:23:27Z |
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dc.date.available |
2019-05-01T15:23:27Z |
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dc.identifier.citation |
Lavin, Irving, “Why Baroque," in Lisa G. Corrin, ed., Going for Baroque. 18 Contemporary Artists Fascinated with the Baroque and Rococo, Baltimore, 1995, 5-8. |
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dc.identifier.uri |
https://hdl.handle.net/20.500.12111/6562 |
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dc.description |
Lavin, Irving, “Why Baroque," in Lisa G. Corrin, ed., Going for Baroque. 18 Contemporary Artists Fascinated with the Baroque and Rococo, Baltimore, 1995, 5-8. Excerpt from revised and expanded version: “Decantarse por el Barroco [Frank Gehry y los paños plegados postmodernos]: Going for Baroque [Frank Gehry and the Post-Modern Drapery Fold],” El Croquis, No. 117, 2003, 40-7. Revised and expanded version: “Going for Baroque: Observations on the post-modern fold,” in Sebastian Schütze ed. Estetica barocca. Atti del convegno internationale tenutosi a Roma dal 6 al 9 marzo 2002, Rome, 2004, 423-52. Italian translation in Lavin, L’arte della storia dell’arte, 2008, 16-35. |
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dc.subject |
Baroque |
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dc.subject |
barocco |
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dc.subject |
Berlin Reichstag |
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dc.subject |
public spectacle |
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dc.subject |
Counter Reformation |
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dc.title |
Why Baroque |
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dc.title.alternative |
Excerpt from revised and expanded version: “Decantarse por el Barroco [Frank Gehry y los paños plegados postmodernos]: Going for Baroque [Frank Gehry and the Post-Modern Drapery Fold],” El Croquis, No. 117, 2003, 40-7. |
|
dc.title.alternative |
Revised and expanded version: “Going for Baroque: Observations on the post-modern fold,” in Sebastian Schütze ed. Estetica barocca. Atti del convegno internationale tenutosi a Roma dal 6 al 9 marzo 2002, Rome, 2004, 423-52. |
|
dc.title.alternative |
Italian translation in Lavin, L’arte della storia dell’arte, 2008, 16-35. |
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dc.type |
Article |
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