Albert

Why Baroque

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dc.contributor.author Lavin, Irving
dc.date.accessioned 2019-05-01T15:23:27Z
dc.date.available 2019-05-01T15:23:27Z
dc.identifier.citation Lavin, Irving, “Why Baroque," in Lisa G. Corrin, ed., Going for Baroque. 18 Contemporary Artists Fascinated with the Baroque and Rococo, Baltimore, 1995, 5-8.
dc.identifier.uri https://hdl.handle.net/20.500.12111/6562
dc.description Lavin, Irving, “Why Baroque," in Lisa G. Corrin, ed., Going for Baroque. 18 Contemporary Artists Fascinated with the Baroque and Rococo, Baltimore, 1995, 5-8. Excerpt from revised and expanded version: “Decantarse por el Barroco [Frank Gehry y los paños plegados postmodernos]: Going for Baroque [Frank Gehry and the Post-Modern Drapery Fold],” El Croquis, No. 117, 2003, 40-7. Revised and expanded version: “Going for Baroque: Observations on the post-modern fold,” in Sebastian Schütze ed. Estetica barocca. Atti del convegno internationale tenutosi a Roma dal 6 al 9 marzo 2002, Rome, 2004, 423-52. Italian translation in Lavin, L’arte della storia dell’arte, 2008, 16-35.
dc.subject Baroque
dc.subject barocco
dc.subject Berlin Reichstag
dc.subject public spectacle
dc.subject Counter Reformation
dc.title Why Baroque
dc.title.alternative Excerpt from revised and expanded version: “Decantarse por el Barroco [Frank Gehry y los paños plegados postmodernos]: Going for Baroque [Frank Gehry and the Post-Modern Drapery Fold],” El Croquis, No. 117, 2003, 40-7.
dc.title.alternative Revised and expanded version: “Going for Baroque: Observations on the post-modern fold,” in Sebastian Schütze ed. Estetica barocca. Atti del convegno internationale tenutosi a Roma dal 6 al 9 marzo 2002, Rome, 2004, 423-52.
dc.title.alternative Italian translation in Lavin, L’arte della storia dell’arte, 2008, 16-35.
dc.type Article


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