Why Baroque

Lavin, Irving

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dc.contributor.author	Lavin, Irving
dc.date.accessioned	2019-05-01T15:23:27Z
dc.date.available	2019-05-01T15:23:27Z
dc.identifier.citation	Lavin, Irving, “Why Baroque," in Lisa G. Corrin, ed., Going for Baroque. 18 Contemporary Artists Fascinated with the Baroque and Rococo, Baltimore, 1995, 5-8.
dc.identifier.uri	https://hdl.handle.net/20.500.12111/6562
dc.description	Lavin, Irving, “Why Baroque," in Lisa G. Corrin, ed., Going for Baroque. 18 Contemporary Artists Fascinated with the Baroque and Rococo, Baltimore, 1995, 5-8. Excerpt from revised and expanded version: “Decantarse por el Barroco [Frank Gehry y los paños plegados postmodernos]: Going for Baroque [Frank Gehry and the Post-Modern Drapery Fold],” El Croquis, No. 117, 2003, 40-7. Revised and expanded version: “Going for Baroque: Observations on the post-modern fold,” in Sebastian Schütze ed. Estetica barocca. Atti del convegno internationale tenutosi a Roma dal 6 al 9 marzo 2002, Rome, 2004, 423-52. Italian translation in Lavin, L’arte della storia dell’arte, 2008, 16-35.
dc.subject	Baroque
dc.subject	barocco
dc.subject	Berlin Reichstag
dc.subject	public spectacle
dc.subject	Counter Reformation
dc.title	Why Baroque
dc.title.alternative	Excerpt from revised and expanded version: “Decantarse por el Barroco [Frank Gehry y los paños plegados postmodernos]: Going for Baroque [Frank Gehry and the Post-Modern Drapery Fold],” El Croquis, No. 117, 2003, 40-7.
dc.title.alternative	Revised and expanded version: “Going for Baroque: Observations on the post-modern fold,” in Sebastian Schütze ed. Estetica barocca. Atti del convegno internationale tenutosi a Roma dal 6 al 9 marzo 2002, Rome, 2004, 423-52.
dc.title.alternative	Italian translation in Lavin, L’arte della storia dell’arte, 2008, 16-35.
dc.type	Article