Lavin, IrvingIrvingLavin2019-05-012019-05-012004Lavin, Irving, “Why Baroque," in Lisa G. Corrin, ed., Going for Baroque. 18 Contemporary Artists Fascinated with the Baroque and Rococo, Baltimore, 1995, 5-8.https://hdl.handle.net/20.500.12111/6562Lavin, Irving, “Why Baroque," in Lisa G. Corrin, ed., Going for Baroque. 18 Contemporary Artists Fascinated with the Baroque and Rococo, Baltimore, 1995, 5-8. Excerpt from revised and expanded version: “Decantarse por el Barroco [Frank Gehry y los paños plegados postmodernos]: Going for Baroque [Frank Gehry and the Post-Modern Drapery Fold],” El Croquis, No. 117, 2003, 40-7. Revised and expanded version: “Going for Baroque: Observations on the post-modern fold,” in Sebastian Schütze ed. Estetica barocca. Atti del convegno internationale tenutosi a Roma dal 6 al 9 marzo 2002, Rome, 2004, 423-52. Italian translation in Lavin, L’arte della storia dell’arte, 2008, 16-35.BaroquebaroccoBerlin Reichstagpublic spectacleCounter ReformationWhy BaroqueExcerpt from revised and expanded version: “Decantarse por el Barroco [Frank Gehry y los paños plegados postmodernos]: Going for Baroque [Frank Gehry and the Post-Modern Drapery Fold],” El Croquis, No. 117, 2003, 40-7.Revised and expanded version: “Going for Baroque: Observations on the post-modern fold,” in Sebastian Schütze ed. Estetica barocca. Atti del convegno internationale tenutosi a Roma dal 6 al 9 marzo 2002, Rome, 2004, 423-52.Italian translation in Lavin, L’arte della storia dell’arte, 2008, 16-35.Article