Lavin, IrvingIrvingLavin2019-05-012019-05-011993Lavin, Irving, “David's Sling and Michelangelo's Bow: a Sign of Freedom," in L'Art et les révolutions. Conférences plénières. XXVIIe congrès international d'histoire de l'art, Strasbourg, 1990, 107-46. Reprinted in Matthias Winner, ed., Der Künstler über sich in seinem Werk. Internationales Symposium der Bibliotheca Hertziana Rom 1989, Weinheim, 1992, 161-90.https://hdl.handle.net/20.500.12111/6637Lavin, Irving, “David's Sling and Michelangelo's Bow: a Sign of Freedom," in L'Art et les révolutions. Conférences plénières. XXVIIe congrès international d'histoire de l'art, Strasbourg, 1990, 107-46. Reprinted in Matthias Winner, ed., Der Künstler über sich in seinem Werk. Internationales Symposium der Bibliotheca Hertziana Rom 1989, Weinheim, 1992, 161-90. Revised and expanded version in Lavin, Past-Present, 1993, 28-61.Italian translation in Lavin, Passato e presente, 1994, 45-84. Reprinted in William E. Wallace, ed., Michelangelo. Selected Scholarship in English, 5 vols., New York and London, 1995, I, 363-402.DavidslingMichelangelobowdrawingLouvreVasariDavid's Sling and Michelangelo's Bow: a Sign of FreedomReprinted in Matthias Winner, ed., Der Künstler über sich in seinem Werk. Internationales Symposium der Bibliotheca Hertziana Rom 1989, Weinheim, 1992, 161-90.Revised and expanded version in Lavin, Past-Present, 1993, 28-61.Italian translation in Lavin, Passato e presente, 1994, 45-84.Reprinted in William E. Wallace, ed., Michelangelo. Selected Scholarship in English, 5 vols., New York and London, 1995, I, 363-402.Article